Filtering the Lomo LC-Wide for Black and White

For a little while I've been shooting with the amazing Lomography LC-Wide. a pocketable fully auto camera with a surprisingly sharp 17mm f/4.5 lens.  Super small and and easy to keep on you. 

I recently started developing black and white again and have unearthed a small stash of outdated 3200 TMax and Delta 35mm film.

Seemed like a perfect film stock to accompany the gritty (and amazing) look for the LC-Wide but there wasn't an easy way to pop an orange or red filter on the camera when shooting during the daytime.  While clicking around waiting for my brain to fall asleep, I realized the LC-Wide Instant Kit might do the trick.  





I got the kit and popped out the lens that focuses the instant film and made a little templet of the opening left behind.  Using a little wet/dry sand paper the white lettering surrounding the auxiliary lens was removed, wouldn't want to confuse anyone :)   A little plastic airplane glue and my r25 filter was attached perfectly in the magnetic lens holder.  

Now I can pop on and off a red filter just as easy as can be.  I should note that the red filter absorbs 3 full stops of light so don't forget to roll the ASA control (OK Lomo...this required me to get my reading glasses out #@!#??!!) back to ASA 400 when you are going to use the red filter to properly expose your negatives.

I'll post some pictures after I run the next batch of film.

training grounds...

Some recent shots from my commute as the recent time change has created some wonderful lighting situations.  

Shared some transportation photo tips with my son for a high school photo class assignment too!

paying it forward

Had a fantastic time yesterday as a volunteer photographer for the Red Cross Disaster Relief Telethon.  What made it to fun, wasn't that I was using my area of expertise to help my community, it wasn't that we got to meet 80's rocker legend Dee Snider, Governor Quinn (who made a point to shake my 11 year old sons hand) a bunch of radio and TV personalities, it was that I sent one email to the fantastic Harrington Photography Department faculty and students looking for people to join me and I was met with an overwhelming response.  Some shot all afternoon, some popped over for an hour or so after work when they could.  Learning outcomes...mission statements...call it whatever you want, but I'm proud to be surrounded by a group of faculty and students who really care about our city, each other and doing the right thing.  

I was joined by faculty member Ron Gould, graduate Alfonso Monroy, and a ton of student including Daniel Stewart, the ever energetic Nancy Veloo, Marlee Power, Kate Kaplan and Cortez Dorris.

dip and dunk!!!!

Huge thanks to my friend Jeff Phillips for stoking the film fire. I've been running a ton of film lately, but last night I ran the first black and white film that I've processed since 1999! Go ahead and cue Prince...I've been shooting nothing but 3200 so far, I gotta say it's certainly walking me down memory lane! I'm looking forward to souping some high speed Noblex film!

Open House Chicago, 2014

The best clients call you every year and ask you to shoot 'cool pictures' at their event.  Huge thanks to Justin and the crew at the Chicago Architecture Foundation for having me shoot Open House Chicago for the third year! I'm already looking forward to next year!

Squad rescue next to work this morning

irony

Scenes from a Graduation

Congratulations Sam, we're so proud of you!

Splashdown!

Spent yesterday with photo teacher Samantha Wascher's Photography and Advanced Photography classes at Aurora Central Catholic High. Went through two gallons of whole milk and five packages of Double Stuff Oreos. Very fun day with a fantastic group of students who once they understood the concept, made some great shots. 

Breaking New Boundaries...

Piles of scrap car, truck and minivan parts at Adelman's heading to the metal recycler

With all the recent media surrounding Adelman's Truck Parts being a major (and international) chop shop, I wanted to share some images from a field trip last fall.  

To address the need for our commercial photography students to fully understand the social value and inherent non-financial value that their images possess, I wrote two classes, a 200 and 400 level 'Social Practices in Photography'. The idea is to get students out of the studio and into the community to add value and attention to an existing cause with the tools they already have. To lead this effort, the amazingly talented photographer and educator Jeff Cristman has been teaching (and preaching) both of these classes with some fantastic results.  

 The view of the Calumet region from atop the US Bank building

I have been attending the shoots, outings and field trips whenever possible for over a year now and am really looking forward to this summer when we will experiment with an eight-hour version of the class. Last fall I attended several of many trips to Chicago's Calumet area that included a rooftop vist to the Bank One building for an aerial view of industrial region,   

Nike Launch site C-44 at Wolf Lake

a stop at the former Wolf Lake Nike Missile launch site and you guessed it....(drum roll please) a trip to the now famous Adelman's Truck Parts, complete with a guided tour around the yard and a trip through the storage and shipping facility.

Jeff Crisman photographs Adelman's warehouse

Photography student Kate Kaplin interviews
 a yard worker with her iPhone 

The employee who gave us the tour was was very professional, helpful and answered numerous questions.  It was a cold evening and we were in the yard well after closing time and he could not have been more accommodating.    

So what are these brave new boundaries...?  Below is a snip from an email that Jeff sent right after the story broke: 'So how many photo programs can you enroll in where you get to go on a field trip to a chop shop?'

Adjacent to the dock, pallets of complete engines and parts await transportation

Inviting Everyone to Play Along

I sent this out to my colleges at work last week and got a quick 45-50 participant and they are still coming in.  

Depending on where you are and your stair/ elevator situation play along, even if you only forgo the elevator once a day thats better then not at all.  

Feel free to share as it will only help...

The 2014 HCD Stair Challenge

 Before you engage in an adolescent staring contest with a co-worker put down your juicy beef combo and read this.

The negative effects of this years holidays were exponentially compounded by an additional (and completely unplanned) extra three days on the couch.  Now I like frozen pizza, ice cream and Gilligan's Island re-runs as much as the next guy, but I stepped on the scale this morning and the digital readout simply said STEP OFF!  What the..?#!@#??  I was crushed!!!  So after flinging it into the backyard I realized it just might have a point.  Here is what I propose, it’s easy and will only help all who choose participate. 

The 2014 Harrington Challenge-

Take a vow that for the entire semester you will use the stairs for ALL inter-floor transportation.  That’s right, taking control of our collective health starts with just one little step (actually there are 22 and one landing between each floor) Here is the catch and the carrot…  The reason you need to take the vow is if you slip and take the elevator, you need to put a dollar into a kitty (location to be determined soon) and at the end of the semester, we will take out all the money and buy something completely ridiculous like a couple dozen Portillos Chocolate Cake Shakes for all the participants or something else equally as horrible and delicious at the same time!

So if your in, just stair stare at this email, hold up your right hand and tell the elevators they can join the scale in the snowy back yard, even if its just for a semester.  You might want to do a quick (and yes annoying) 'reply all' so we can all encourage each other to make sure it sticks.  

Here's to a healthier 2014!!

Dirk

Quantity of light vs Quality of light, then and now...

I had a discussion with an adjunct a couple of months back about where commercial or professional photography is heading and after a colorful debate we agree to disagree. 

His point was that professional photographers were essentially mandated to use professional strobes and packs or they were rank hacks and only watering down an already watered down industry. 

My point is this, if you look at the direction that dSLR manufacturers are going in terms of ISO's (and usable ISO's) it is no secret that the quantity of light needed to shoot a job today is drastically less then it was just ten years ago.  With every new camera that is released, these high ISO's keep getting better and better.

Take a quick look at this video that Canon released a couple weeks ago:

http://www.canon.com/news/2013/sep12e.html 

While they are not telling us just how dark it was where they photographed the fireflies (or lightning bugs depending on where you are) you know it was quite dark or they would not be showing it off. 

Monday night I was teaching and illustrated this fact on the board, I knew the divide was large, I was shocked to see how large it was.  I was demonstrating how full ISO's either doubled the amount of light or halved the amount of light depending on which way you were going. 

I drew them out on the board from 100 to 12800, like this:

100   200   400   800   1600   3200   6400   12800

I used a recent job and a past job to make the point, the past job was a series of headshots at an annual meeting and the recent job was a series of casual headshots for a local company.

In 2004, I hauled a 2400 watt/second pack with two heads (plus a backup) down to Florida along with a case of Hasselblads. With the larger original size and characteristics of medium format glass, I shot portraits at f/8.